达芙妮2017

Golden Bear winner Peter Mackie Burns has started shooting his London-set debut feature Daphne, production company The Bureau has revealed.
Emily Beecham [pictured] - who features in the cast of Berlinale opening film Hail, Caesar! - plays the titular Daphne, a young Londoner with a frenetic lifestyle who decides she needs to change her life after witnessing a violent robbery.
The Bureau producers Tristan Goligher and Valentina Brazzini developed the project in-house. The BFI and Creative Scotland are the main financiers of the film, together with The Bureau.
The company’s Paris-based sister company, The Bureau Sales, is handling international rights.
Mackie Burns won the Golden Bear for best short film in 2005 for Milk, about a girl trying to bathe her grandmother.
Nico Mensinga wrote the screenplay for Daphne in his second collaboration with Mackie Burns after the short Happy Birthday To Me, also starring Beecham.
The Daphne shoot kicks-off amid a high-profile year for The Bureau following the success of Andrew Haigh’s 45 Years, which won two Silver Bears for the lead performances of Charlotte Rampling and Tom Courtenay in Berlin last year, with Rampling also receiving an Oscar nomination, and is up for Outstanding British Film at tonight’s Baftas.
“Peter Mackie Burns has made some visceral performance driven shorts including the award-winning Milk,” said Lizzie Francke, BFI senior production and development executive. “It is great to be able to support him on the next stage of his film career

31岁，对自我和世界认知已经逐渐准确，想要改变难如登天，一个巨大的外力冲击就可以吗？能战胜自我惯性吗？非常难得的是，daphne找到了法子。就这一点，足够让我振奋。
又一部弱情节，轻喜剧色彩的小人物日常流。相比其他艺术片，这类小电影剧作难度更小，水准更易把控，在没被流水线批量生产之前我还是很愿意消遣几部的。本作女主的精神困境还挺有趣——对未来生活失去期待，冷漠愤世，只有阅读齐泽克时一张臭脸才会融化——这其实有点单纯型精神分裂症的征兆啊！
看了跟没看差不多的电影
2.5//三十而惑三十一解惑 三十年的人生经历已经能够让我们开始相对成熟地面对世界 之后的任务似乎只是为了让自己更游刃有余//比查姆的红发太好看了 她人动一下我心动一下
由头至尾，视角没有一刻离开过Daphne，看到非常疲劳，整个铺排，人物所面对的那些问题以及情节发展，其实也非常套路，唯一不错的是女主角演得算自然。
简单的故事 勾画出普通人在生活中的点滴 没有煽情 没有巨大的起伏跌宕 更多是感同身受 原声和摄影很不错
上周是瑜伽，这周是正念，妈妈，下周会是什么——对前途命运感到迷茫「幻想着天上掉馅饼、一拳砸出个芭比肯来」的女主角《达芙妮》是典型「沾染了惰气、暮气、邪气」的，有「玩物丧志」倾向的城市小资产阶级。虽然《她的工作》场景不是理想中光鲜亮丽的高级餐厅，但资产阶级那种「不劳而获、坐享其成、贪图享乐」心理却是因有饲养「贪吃蛇」癖好而被「犬儒」学历资产阶级《领养》调教——因不再相信爱情而逐渐冷血动物化的无产阶级子女正在学习、适应、认同和守护的首要生活方式——我在「革干家庭」这儿能干什么呀？上学念书啊。正如另一位妈妈所说，少华，你现在身份不同了，等你「共大」毕业了，爸爸妈妈给你安排个有前途的工作。我这么大还念书啊？干部子弟学校里有个工农速成班，都是像你这么大的。妈完全是为了你，你要有个志向，要理解妈妈的心。
2023弗兰西斯哈
告诉你不用力过猛也能拍出好电影，女主这样可爱的人，继续爱自己吧！btw编剧特意写个本子给观众安利Zizek是吧
丝般顺滑的社会现实题材小风景，有回味
“我感觉我很长一段时间都活得像行尸走肉。” 她对心理医生说不出口的话，在公交车上一股脑说给陌生人听，她是个讲述自己糟糕生活却能将别人逗笑的女人，31岁了，总算要开始学会打理生活了。
人们更愿意关注一个三流演员的花边新闻而看不到一个普通人内心的波澜壮阔。有一丝丝日影的感觉。
像一篇描述日常生活的散文，有丧有意外有温馨片刻。
空洞 无趣
个人一些的角度 平平的表述 但百分之一万的…不算是喜剧吧…
[4.0/5.0] https://www.facebook.com/shelookslikeayoungmonicavitti/photos/a.856542097796490.1073741862.186895204761186/1445630988887595
达芙妮的头发像金鱼尾巴。普通人内心的波澜最能打动人。
Fine Life sucks but we Keep Moving
maybe meaninglessness is the meaning of it （片尾曲是地下丝绒乐队
bilibili